ON ‘ARIEL’
By Jose Molina
Hello, everyone --
I’ve been asked by our cyberfriends at Fox to pitch in with
an article detailing how “Ariel” came to life. So here
I am. About to detail.
Cairo, 1843. Wait, that’s wrong.
Santa Monica, September of 2002. Yeah, that’s
better. To quote a famous dead guy, I was nervous. Very, very dreadfully
nervous. I’d been a fan of Buffy and Angel
and the whole Mutant Enemy camp for years, and this was my first
shot at showing the best writers in television that I didn’t
suck. Still waiting for confirmation on that one. Um... guys?
So, it started with an idea from Joss: he wanted to do a story
where Simon hired the crew for a heist. The rest was up for grabs.
But since the folks around the office didn’t take kindly to
my random grabbing, I decided it was best for everyone if I worked
at home.
After approaching the story from a few different
angles, the staff and I finally landed on a take we liked. I pitched
it to executive producer Tim Minear, who in typical Tim fashion
said “That’s great! What else ya got?” He was
kidding. (I think.) We spent the next couple of days hammering out
the details, then rolled on over to the Paramount lot to pitch our
ideas to Joss, who was in the middle of playing spin the bottle
with David Boreanaz. Or he was directing “Spin the Bottle”
for Angel, I get confused. He said something along the
lines of “me like” and producer Ben Edlund and I trucked
back to our Santa Monica offices to put the finishing touches on
the outline. At around 1:30 that morning, we finished the outline
and cracked a celebratory beverage. I think Ben enjoyed it more
than I did because he was laughing on his way out the door; it might
have had something to do with the four days I had to write the script.
He’d recently written “Jaynestown” in about that
amount of time and he was anticipating how much fun I was about
to have. That must have been it, right?
So I spent four crazy days writing constantly, cursing in Chinese,
sleeping very little and having dreams about playing bocci ball
with Adam Baldwin. I love Adam dearly, but in my dreams he cheats.
When I emerged from my cocoon on Monday, I had a script... and an
epiphany. Despite all my anxiety, I actually had tons of fun writing
the script. I loved writing these characters, I loved living in
this world, I loved everything. YOU GUYS! (sniff)
I also loved being done! And watching as the best
cast and crew in town turned the pretty pictures in my head into
reality was a blast. I’m extremely grateful and indebted to
everyone who worked their gluteal regions off to make this episode
as cool as it is. It’s a bit of a departure -- we have a Core
planet, sonic rifles, and some big bad villains swooping in to complicate
things. It’s sort of Ocean’s Eleven meets The
X-Files in space. Or Curse of the Mummy meets The
A-Team. Also heavily influenced by Chico and the Man.
All right, I don’t know. Just watch it and you can tell me.
I hope you enjoy the show as much as we enjoyed making it. I think
you will!
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