DRACOS' BLOG

Dracos

Thats right, I'm teaching a class.
Tuesday, February 10, 2004

An English teacher friend of mine recently asked me to take htree days and teach her High-school Creative Writing class about Sci-fi.

Like an idiot I accepted.

Now Im stuck doing this next week and I really dont have any idea how to teach sci-fi. Naturally Im going to take the first two days to show episodes of Firefly that demonstrate what sci-fi ussualy is represented as and what it can be (Ariel & Shindig respectively).

The third day however is going to be something of a problem. I know what I want to do but have to spend around sixty minutes doing it so unless they ask a lot of questions Im going to run way short.

As such I thought Id ask here and see if anyone had any experience with this kind of thing and could offer any suggestions or activities. Thanks in advance.

-Dracos

COMMENTS

Thursday, February 12, 2004 2:49 PM

TEELABROWN


Opus is my favorite character! Yay for Opus!

Thursday, February 12, 2004 2:27 PM

BROWNCOATCAT


D'oh. Why didn't I proof read my comment. As we all know, Opus is a Penguin. What I was was rattling on about is a NOVUM.

Wednesday, February 11, 2004 3:41 PM

DRACOS


Thanks for all the suggestions everyone. BrownCoatCat, I will definately be mentioning the Opus now, thank you for bringing it to my attention. Ill also try to find the time to visit that site Kalathena.

I think what Im going to try and focus on is the sheer amount of what sci-fi CAN be as opposed to what it usually is. I know some very creative people who could be masterful science-fiction writers but they are completely turned off to it because its all violence and techno-babble to them. This is one of the primary reasons Im showing Shindig.

I want to try to open up the fact that sci-fi is a setting for the story, not the story itself. That you can have a classical romance or a good drama in a a sci-fi setting.

Oh well, Ill have some more time to think about it when I go on vacation Friday. Hmm, going straight from a cross-country flight to teaching a high-shool class, thats appealing.

Wednesday, February 11, 2004 2:51 PM

BROWNCOATCAT


The power of science fiction is that it makes you look at a situation from a different angle. There is usually an element in the story that radically differentiates the universe the story is set in from our own. This is known in ther field of Science Fiction Stuies as the Opus. For instance, Zoe's comment about living in a spaceship would not be an Opus, as there is technically little difference between a spaceship and an ordinary ship. On the other hand, the value placed on food suppliment bars in "Serenity" is an Opus, as it undermines the notion that all wealth is based on the value of Gold.

As for the science, that takes a number of forms:
1) Hard Science (the real deal)
2) Imaginary Science (looks very good)
3) Pseudo Science (sleight of hand)
4) Scientific Patter (Complete Garbage)
Naturally, SF has to have one of the four, but it is there to support the story, not be the story.

As you can see, I am fascinated by this subject, so much so, I am doing a Degree in Science Fiction Studies.

Wednesday, February 11, 2004 12:20 PM

KALATHENA


My husband's site should have some ideas about how to teach breaking into writing and stuff. He's both an author and an HS teacher. His site is at http://www.sff.net/people/spiziks/

Good luck!

Wednesday, February 11, 2004 8:31 AM

SHINY


I say have a creative session where you go around the room student by student and each adds a little bit to a story you are creating, much like they do in the RP...could be a good creative writing exercise, and even if not, it's sure to be fun!

Wednesday, February 11, 2004 7:29 AM

HERO


I suggest you listen to some of the commentaries to get a feel for what the 'process' really was.

H

Wednesday, February 11, 2004 5:29 AM

DITB


ok, i don't really know much that about sci-fi, or teaching, so feel free to ignore me or even make fun of me (but only if you're good at it--i won't stand for subpar humilliation!)...

i guess to me, there are 2 important aspects to composing sci-fi:

1) the science and 2) the fiction.

i'll give a blerb on #2 first... to me, the fiction part just means anything is possible. it's fiction, right? so space cowboys (swoon!), evil mega-corporations, nanotechnology, cyborgs, genetic monsters, talking animals, superheros, microscopic civilizations, space travel/colonization, metaporphisis contraptions, "magic" rayguns, actual magic (sci-fi based on alchemy?), cloud worlds, divinity, anything and everything else is possible. (of course, i'd recommend not getting too involved in a million fictionary aspects right away. get used to it first, and find something you like, and things that compliment each other).

and #1... the science. know it! you don't need to be good at science to learn enough to justify some things, use right terms, and keep space silent! but there are 3 approaches to the science. the old science (you could rewrite old sciences... this would be more difficult to do, but could be pretty interesting), the current science (this would take the most work as far as researching what's going on now, and what it could mean to a sci-fi story), and future science (this is where all the wacky stuff comes from... you don't need to understand current science so much for it, but it helps an amazing amount in creating that magical sci-fi feel).

i dunno. i'd just try to explain this and get people unafraid of doing weird things, and to be unafraid of science (physics is fun!). then give some examples and stuff. lots of firefly. yes, plenty. supply them with information on buying the DVDs, and this site... you could come up with some sort of creative-juice-producing activity or something. that could be fun. and then watch some firefly.

oh yes, don't forget to mention that in science fiction, everyone is totally dead sexy! just look at the crew of serenity!!! it may be sci-fi, but it's all about the sexy!

Tuesday, February 10, 2004 3:42 PM

TEELABROWN


Well, you could bring in some fanfics, or maybe short stories of Arthur C. Clarke or something. I love his short story book, Tales from the White Hart. You could break down an episode. There's a short story I love by Harry Turtledove called "Nasty. Brutish, and..."


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