QUICKSAND'S BLOG

Quicksand

You, Robot
Monday, July 19, 2004

I've tried to start this blog several times, and ultimately, I think it's this:

What I admire most about "Serenity" and "Firefly" and "Buffy" and "Angel" is the writing, okay? I LOVE the writing. I love the drama, I love the jokes, I love how little insignificant pieces of dialogue can tell us so much about a character, can go so far to define River ("I can kill you with my brain"), or Jayne ("Pain is scary,)" or Spike ("Bollocks!), or whoever. I LOVE this about Joss.

"I Robot" had none of that. I respect the director, I know he has done good work before. I respect the actors and I admire the production design, and the costumes, and the numerous humans who no doubt worked tirelessly on the special effects.

I have no doubt I will love all these things about "Serenity," but ultimately "I Robot" collapses under the simplicity of the script. I know most people reading this won't care. Most of us don't care about the opening credits, about who the screenwriter or the cinematographer happen to be.

But man, Joss Whedon got me in to all that. I would watch the 2nd season of Buffy in my college dorm, and there was SUCH a diversity of talent on that show. If the opening credits said "Written and Directed by Joss Whedon," I knew, KNEW the episode was going to knock me off the couch, and I told this to everyone in the room, constantly. And they (these episodes) never disappointed. If it was someone else (no reason to name names), I knew it would be less than stellar. Most of the writers were very VERY good, but Joss exceeded them... and there were 1 or 2 who generally let me down. This is life.

I maintain that Akiva Goldsman can't write. Some of you may have liked Batman and Robin, or Lost in Space, or the criminally overrated A Beautiful Mind. I never saw Practical Magic, so I can't comment on that one, but this man is NOT one of the great screenwriters of our time. I don't know how much of "I Robot" was him vs. the original treatment by Jeff Vintar, but the names that really stick in my head among writers, and directors, are the really really great ones, and the really really bad ones.

To my surprise, the visuals, and the acting of "I Robot" did everything they could to overcome a standard Hollywood Action script. Without gushing with detail for eight paragraphs, I'll just say I give a thumbs up to everyone in front of the camera. EVERYONE, without exception.

But I love Joss Whedon, and others, because of the stellar writing, and the stellar directing (no pun intended). "I Robot" had stellar direction. The writing was not, but I guess, ultimately, people will say that's just my opinion. But I know what's meant to be complex and challenging, and what's just meant to be enjoyed over popcorn and those freaky-huge sodas. I love both, but I PREFER Joss's stuff, that's just me. I love talking about all the little things afterward. With Joss you can do that; hence, this entire website, and so many others.

Anyway, if you're curious about the movie, DO make up your own mind. But when I commented in a previous blog, I wasn't just talking out my @$$. If you're interested, you can learn a lot about a movie by the names in the credits. If you're not interested, then... just be thankful you're not a huge geek like me.

Not sure how to end this, but hey, blogs are SUPPOSED to be pretty random, I guess. Hats off to the day we can all sit around a table together and discuss this all at once, rather than hurl bits n' pieces at each other. THAT is the real fun of great TV and movies, to me .... but these blog thingies sure do help for a quickfix every now and then.

XOXO
Qs

COMMENTS

Wednesday, July 21, 2004 2:35 PM

QUICKSAND


Well, Rhyme, there's a certain something to be said for leavin' the house and seein' something you can discuss with coworkers on Monday. Which is not to say you don't leave the house, for all I know you're camping in Iceland right now, but a good dumb movie now and then never hurt anyone.

It's when a movie COULD have been something better, that I really get bent out of shape. "I Robot" is just a prime example. If an idiot screenwriter is going to adapt something, couldn't he just adapt an idiot book? This guy DID get his start with Grisham novels, after all.... no offense to Grisham-fans, but we can agree, he ain't Asimov.

Wednesday, July 21, 2004 4:00 AM

RHYMEPHILE


I guess they can't all be well-written. But then most of the movie-going audience aren't looking for intelligent scripts; they're looking for explosions, hot men/women, and escapism. Perhaps that's why we get the dumbing down of America and the current deluge of reality TV. Hollywood is simply giving us what we want. It's not what *I* want particularly.

Quick, that's probably why I never see the big summer blockbusters. They're *too* dumb. Most everything I like to watch are independent or foreign films that never made money but that often make me think, and care, and stay at home with DVDs from Netflix.

Tuesday, July 20, 2004 1:29 PM

QUICKSAND


Popcorn movies are all well and good, but I'd like to mention that the writer of "Spider-Man 2" has two screenwriting Oscars... for movies far better than anything Goldsman ever wrote.

THAT should be summer fare. Right?

Tuesday, July 20, 2004 10:05 AM

RHYMEPHILE


I think the only reason I would see the film is for Mr. Tudyk, since I'm a fan. The commercials with Will Smith spouting his one-liners turned me off. I don't have my Entertainment Weekly on me right now, but they gave a very nice mention to Alan in the review for the movie.

But like many summer blockbuster films, I don't think they are ever conceived to be cerebral. The "popcorn movie" moniker is apt...films that have lots of splash and visuals but are light on script. Sometimes I like films like this, and maybe that's because I personally have a higher standard for TV dramas. I want my TV to be intelligent. A little mindless entertainment in the cinema is fairly enjoyable. If only mindlessness didn't cost so much!

Tuesday, July 20, 2004 6:32 AM

MAUGWAI


I enjoyed the movie. The action was great and I thought Will Smith was fantastic.

That said, I admit the dialogue was prorbably the weakest part. The story was good. The dialogue was empty of all the good one-liners we've come to expect because of Whedon. But in defense of Goldsman, one-liner are really tough to do. We can't hold everybody to Joss standards. The man is insanely gifted.

But I think the story was good. I never read any Asimov, so I didn't come in with any expectations in that regard. I did wonder what the hell happened to the cat. It sort of disappeared. And I didn't come out of the theater babbling about the meaning of it all like I usually do, but I enjoyed it anyway. It was entertaining.

CGI robots fighting CGI robots is very cool.


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