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Originally posted by teethgrinder:
I hope this qualifies.... Serenity... Pilot episode....
Jayne watching from above and in a very uncomfortable position as Simon was working on Kaylee at the infirmary. No lines at all but you can tell in those few seconds the concern our tough guy has for Kaylee. Subtle but effective. Works for me every time.

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Originally posted by Omelet:
He almost makes me feel like I'm reading a book and looking for symbolism, if that makes any sense to you.

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Originally posted by Nandifan:

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Originally posted by teethgrinder:
I hope this qualifies.... Serenity... Pilot episode....
Jayne watching from above and in a very uncomfortable position as Simon was working on Kaylee at the infirmary. No lines at all but you can tell in those few seconds the concern our tough guy has for Kaylee. Subtle but effective. Works for me every time.

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Nice call. I love that shot. He just looks so concerned, so un-Jayne like. Just awesome.

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"If they've got guns or brains at all."
"They've got guns."

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Originally posted by Blueishbrowncoat:
ooOOOOooo....GOOOOD THREAD

Off the top of my head (beside that 4 min masterpiece in the begining of the BDM) is the shot where the camera starts in Mal's bunk, with him and that preceeds him up the ladder and watches him walk off....just awesome. I have no clue where thats from though. One of the 1st few eps.

*siiiiigh* I guess I'll have to watch the episodes find somemore. :)

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Serenity pilot. It was a shot that Joss wanted to set up and his cameramen were able to do by making up a rig that pulled the camera by a rope just as Mal comes out of his quarters. He talks about it in the commentary.

One of the best shots, Serenity pilot again when they go to make their deal with Patience, she wants to see the goods and we see a close up of Mal pulling his coat aside to show his gun and a piece of the cargo, in slow motion. Beauty shot. Makes me gooey inside when I see it.

Of course there are others. Who cannot love Mal walking into the bay, pulling his gun out and shooting Dobson without so much as a wink. I laugh everytime I see it, and slow mo just to get the full effect.

Mal, once again, kicking Crow into the engine. When I saw that I was hooked. I had always screamed at movies where they let these big dangerous men live so they can come and cause more damamge when it was easier to kill them right there. You wonder, why the hell are they letting him live? (felt that same way when Mal let the Operative live. You kicked Crow into an engine and got rid of other enemies, why let this most dangerous one go? I never understood till I read the comments people made about the Operative having his world shattered by what he saw and Mals letting him live was a worse punishment then death, but that's for another thread.) It was just great to see someone actually DO THIS. I was a hooked Joss watcher.

There are others, but my threads gotten too long.

If I'm a bitch, then life just got interesting.

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Originally posted by jayneisagirlsname:
I love, love, love the shot on Haven in the BDM where River is framed by the burning swing ... the most beautiful shot in the film if you ask me.

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