CINEMA

2025 Wide Release Prediction Game Thread

POSTED BY: 6IXSTRINGJACK
UPDATED: Saturday, May 24, 2025 05:51
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Monday, May 19, 2025 8:12 PM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


Mission: Impossible — The Final Reckoning (2025)

Production Budget: $400,000,000 (worldwide box office is 0.0 times production budget)

https://www.the-numbers.com/movie/Mission-Impossible-The-Final-Reckoni
ng-(2025)#tab=summary


Download a free copy using this bittorrent link:
716501AC602B6FFF6441080773D93A4EBCFD3584

Mission: Impossible - The Final Reckoning (2025) 1080p HDTS HEVC x265 AAC 2.0 – OneHack

https://x1337x.cc/torrent/6404995/Mission-Impossible-The-Final-Reckoni
ng-2025-1080p-HDTS-HEVC-x265-AAC-2-0-OneHack
/ <-- without the final “/” there will be a 404 Not Found error.

Most expensive films adjusted for inflation
https://en.wikipedia.org/wiki/List_of_most_expensive_films#Most_expens
ive_films_(adjusted_for_inflation
)
Quote:

Tom Cruise has made it his life’s work to save the theatrical movie. He has faced down the pandemic, thrown himself off a cliff, and materialized from on high to show us that the righteous path leads to the multiplex.

With “Mission: Impossible — The Final Reckoning,” we have reached the apotheosis of Cruise’s Christ-like journey; nearly three hours of mythmaking and self-aggrandizement make abundantly clear that Ethan Hunt is no longer just a hypercompetent spy — he is literally Cinema Jesus.

https://www.boston.com/culture/movie-reviews/2025/05/14/mission-imposs
ible-8-final-reckoning-review
/

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Monday, May 19, 2025 10:08 PM

6IXSTRINGJACK


Quote:

Originally posted by second:
Mission: Impossible — The Final Reckoning (2025)

Production Budget: $400,000,000 (worldwide box office is 0.0 times production budget)



Nothing you pirates do is going to hurt Paramount anywhere near as much as they did when they greenlit this thing.

A few years ago, after it was very apparent that Part 1 was going to be a MAJOR money loss for Paramount, I said several times "let's wait and see what the budget for Part II is. Maybe they front-loaded all these costs for tax purposes or something and we'll find out Part one cost a legal consideration of $1 or something, and I laughed at how crazy that would fuck up the movie stats and records from then on if they did something like that.

They spent another $400 Million on part 2. SMH...



New Prediction: This movie, the last of a beloved franchise which to my knowledge never went woke but was just put in the the hands of increasingly less competent DEI departments running Paramount into the ground, will be the final nail in the coffin for Paramount.

Paramount will be sold for scrap parts after their next quarterly earnings call.

They do not have the money to weather this loss at this time.



It's going to sound pretty weird in 2055 when 30 somethings who aren't even born yet make Youtube videos talking about the fall of various media companies during and after the death of the Democratic Party, and the Tom Cruse movie is going to be blamed for the end of Paramount like the video game E.T. is singularly blamed for the fall of Atari by many today even though that's not true either.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Tuesday, May 20, 2025 12:10 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


Quote:

Originally posted by 6ixStringJack:
. . . the Tom Cruse movie is going to be blamed for the end of Paramount like the video game E.T. is singularly blamed for the fall of Atari by many today even though that's not true either.

Paramount and Skydance (its logo is on Mission Impossible) are play toys for the multi-billionaire family of Larry Ellison. If it shrivels up and dies, that is good.

Paramount and Skydance merge, signaling the end of the Redstone family reign in Hollywood and the rise of a new power - July 8, 2024

https://apnews.com/article/paramount-skydance-redstone-entertainment-m
erger-8ba177aebe4ec6c3152e5b8ef82a72e0


The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Tuesday, May 20, 2025 12:44 AM

6IXSTRINGJACK


Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:
. . . the Tom Cruse movie is going to be blamed for the end of Paramount like the video game E.T. is singularly blamed for the fall of Atari by many today even though that's not true either.

Paramount and Skydance (its logo is on Mission Impossible) are play toys for the multi-billionaire family of Larry Ellison. If it shrivels up and dies, that is good.

Paramount and Skydance merge, signaling the end of the Redstone family reign in Hollywood and the rise of a new power - July 8, 2024

https://apnews.com/article/paramount-skydance-redstone-entertainment-m
erger-8ba177aebe4ec6c3152e5b8ef82a72e0


The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two




You won't ever see me shedding any tears when billionaires lose money.

On this one thing I think we can find common ground.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Tuesday, May 20, 2025 1:08 AM

6IXSTRINGJACK


Quote:

Originally posted by 6ixStringJack:
Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:
. . . the Tom Cruse movie is going to be blamed for the end of Paramount like the video game E.T. is singularly blamed for the fall of Atari by many today even though that's not true either.

Paramount and Skydance (its logo is on Mission Impossible) are play toys for the multi-billionaire family of Larry Ellison. If it shrivels up and dies, that is good.

Paramount and Skydance merge, signaling the end of the Redstone family reign in Hollywood and the rise of a new power - July 8, 2024

https://apnews.com/article/paramount-skydance-redstone-entertainment-m
erger-8ba177aebe4ec6c3152e5b8ef82a72e0


The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two




You won't ever see me shedding any tears when billionaires lose money.

On this one thing I think we can find common ground.



We can argue all we want about politics man, but we've been fucked six ways from Sunday by all of them our whole lives.

It's just a shame that nobody in our government ever bothered to step up and make sure that all that corporate gobbling up of everything else never took place. It really has ruined everything over time.

Maybe all of what we're seeing right now is the phoenix burning up and maybe we'll see some good things rise from the ashes.


Capitalism is great when there's undiscovered country and the people with the money needed the people with the muscle to get the jobs done. I'd imagine it was a lot better when there were less than 1 Billion people on the planet too.

But once you get to that point past where we're all consumers and we've become the product, it's not all that it was cracked up to be anymore.

Have you ever thought about the implications of the Covid timeline? Where within the "greatest country on the planet" we were able to wipe out more than 20% of the jobs by calling them non-essential with the snap of a finger and nothing actually broke that mattered when we did it outside of some empty shelves and a lack of toilet paper for a few weeks? I'm putting aside of how much all of that fucked up eveyrone in the head and I'm just talking about from a logistical standpoint.

After a few bad months and some real unease that felt worse than reality actually was in the beginning, that all sort of leveled out at one point. I mean, the only reason that there was never pure bedlam and people shooting each other for food was because we dumped trillions and trillions into the economy to keep it afloat... but that's not what I'm talking about. I'm just saying that once some initial hiccups were ironed out, people stopped panic buying and the scalpers stopped being able to sell toilet paper for $5 per roll on ebay, things just worked again even though tens of millions of people who were working 2 months ago were no longer doing anything other than consuming.

Considering how huge and immediate of a cultural shift all of that was, it all went rather smoothly when looking at it through 20/20 hindsight and you're not living through the non-stop daily barrage of news coverage always telling you that the sky is falling and life as you know it is about to end tomorrow.

There's already a lot more than 20% of adults in the country that don't work even when you don't count seniors. Then you can Thanos snap away 20%-25% more of those people's jobs and nobody who was still working really noticed it all that much. Maybe a certain product you wanted wasn't available, even by any other brand, but it's not as if anybody was close to actual food shortages and grocery stores didn't have any food. I remember not being able to buy milk for a few weeks until I found the one place who had the lockdown on the local milk that wasn't effected by larger level shipping problems that everyone else had. But it's not like the stores still weren't full of food even if what I was looking for that day was out of stock.



A lot of us have jobs only because of how many other people there are living. That's it. That's the only reason for the jobs. What's the point of that?

Why every time I turn around do I see nothing but adults doing the jobs that only kids were doing back when I was in high school and I started my first job?

What's the end goal here? I mean, for all of us.

Hell... What's the next goal?

Anybody got any sort of plan?

If we're going to go on and keep a huge surplus of unnecessary people and we're just going to keep adding more and more of them every year, there's got to be a reason why.

To keep social security and healthcare and any form of insurance and all the various ponzi schemes we've built our society on running?

That's a terrible reason, innt? Unless we start colonizing other planets, that can't go on forever and it's going to absolutely fuck the lives of everyone who's alive when that finally becomes unsustainable.

... Unsustainable isn't the right word. Either by incompetence or by design, all of this that we've been doing has already been unsustainable since before we were born.

What is the word for "The Powers That Be decide that now is the time to let all of us know that 25% of us are no longer necessary and that we're no longer necessary?"

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Tuesday, May 20, 2025 11:32 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


Quote:

Originally posted by 6ixStringJack:

What is the word for "The Powers That Be decide that now is the time to let all of us know that 25% of us are no longer necessary and that we're no longer necessary?"

In the latest Mission: Impossible, The Powers That Be was called "The Entity" and the mission was to kill it before it killed 25% or more of America's population. America has had a mission like that in the past. The Japs and Germans were killing 25% or more of the population of countries they invaded and Americans took on the mission to kill Japs and Germans. The result was an economic boom to replace the lingering Great Depression. 6ix, there are numerous real-life Missions: Impossible, if you choose to accept them. Besides saving a billion lives, there would be an economic boom in America from the work needed to save those lives. Here is one mission from today: https://www.theguardian.com/environment/2025/may/20/sea-level-rise-mig
ration


The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Tuesday, May 20, 2025 2:16 PM

6IXSTRINGJACK


Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:

What is the word for "The Powers That Be decide that now is the time to let all of us know that 25% of us are no longer necessary and that we're no longer necessary?"

In the latest Mission: Impossible, The Powers That Be was called "The Entity" and the mission was to kill it before it killed 25% or more of America's population. America has had a mission like that in the past. The Japs and Germans were killing 25% or more of the population of countries they invaded and Americans took on the mission to kill Japs and Germans. The result was an economic boom to replace the lingering Great Depression. 6ix, there are numerous real-life Missions: Impossible, if you choose to accept them. Besides saving a billion lives, there would be an economic boom in America from the work needed to save those lives. Here is one mission from today: https://www.theguardian.com/environment/2025/may/20/sea-level-rise-mig
ration



Okay. I see you're not interested in an actual conversation.

That's not a mission.

That's just a future problem that nobody in the Democratic Party has ever offered any legitimate and cost-effective means of combating.

And it's one of the reasons that the Democratic Party is dead and they will never make a comeback. They can't lie about fixing the environment anymore either because nobody is buying it anymore when they say they will.

Everything your party relied on to win votes doesn't work anymore.


If you have something serious to propose, I'd suggest you write to your congressman and give them the ideas because your dead party can't come up with shit on their own.



--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Tuesday, May 20, 2025 2:27 PM

6IXSTRINGJACK


Quote:

Originally posted by 6ixStringJack:
Quote:

Originally posted by JAYNEZTOWN:
Thunderbolts still strong but the movie business aint what it used to be, Final Destination Bloodlines expected to have a big weeked



Made it's production budget back from the US Box office alone on opening weekend.

Easily makes money, but we already knew that it was going to despite the high budget.

Although, it wasn't a Bloomhouse or A24 joint and this may have gotten some real heavy marketing compared to what they would have gotten. Still have to give this one the 2.5x treatment because it's WB.

$125 Million to break even.

Internationally it did just a little better so we're already at $105 Million worldwide. Easy peasy.

Still though. $50 Million is a big gamble on a horror flick in 2025. I'm glad it worked out for them this time, but it might not next time.

Anybody remember 2023's The Last Voyage of the Demeter? No?

https://www.the-numbers.com/movie/Last-Voyage-of-the-Demeter-The#tab=s
ummary


$45 Million budget in 2023 adjusted for inflation at $47,376,700 today.

Grossed $13.6 Million in the US and bowed out with a worldwide total of $20.4 Million, with a little over $2 Million in DVD/BluRay sales since then.

Glad to see physical media making a small comeback, btw...

Demeter's budget was nearly $3 Million less than Final Destination Bloodlines', but it lost Universal somewhere in the area of $100 Million and ended up one of their rare flops in an otherwise stellar year.

Though the loss here was probably quite a bit less than that because I think Universal knew they had a big flop on their hands and didn't put any marketing budget into Demeter.

... Plus, when a movie makes that little, it ends up being the movie theaters themselves that end up eating a lot of that pain too. They'd be splitting that $20 Million roughly 50/50, so if Universal didn't dump any money into marketing, their actual losses on this were probably only around $30 Million. And with how much money Universal raked in during 2023 while just destroying everyone else that year, that $30 Million loss probably ended up becoming a wash somewhere with tax write-offs or whatever tricks their accountant teams use to maximize profits.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon






Wow... Bruce did something I've never seen him do before and actually cite inflation in a comparison when showing that it beat 2009's release after inflation was calculated in.

https://www.the-numbers.com/news/259350830-Weekend-projections-Bloodli
nes-lands-with-excellent-51-million-debut


His assessment from there more or less mirrors my own, most of which I already stated above...

Quote:

Final Destination is highly unlikely to have a second weekend anything like Sinners did, but our model is predicting its final box office at a little over $150 million right now. With another $51 million from international territories this weekend, the film should end with something around $300 million in total worldwide, making it highly profitable, based on an estimated $50-million production budget (and maybe the same again to market).


--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Tuesday, May 20, 2025 6:09 PM

JAYNEZTOWN


Wes Anderson Mocks Trump’s Movie Tariffs at Cannes: ‘Can You Hold Up the Movie in Customs? It Doesn’t Ship That Way’

https://variety.com/2025/film/festivals/wes-anderson-mocks-trumps-movi
e-tariffs-cannes-1236403035
/

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Wednesday, May 21, 2025 6:40 AM

JAYNEZTOWN


a Holiday period, Vacation Weekend...Halloween is kind of a vacation worldwide, the big one is the USA, next market China, followed by European film industry a mix of French, British, Italy, Germany, Spain etc some East European still have vacation around the Soviet May Day period but changed to a folk festival or 'National Day'

Aus kind of does its own thing at times have summer while everyone else has a winter

in the USA
Memorial Day May 25–31, floating Monday
Independence Day 4th day of July
Labor Day September 1–7, floating Monday
Thanksgiving Day November 22–28 ...some form of Thursday


China has somewhat unofficial holiday vacation festival days, the Dragon Boat Festival, the Mid-Autumn Festival, and National Day.
31st day of May Dragon Boat Festival
1st of October National Day
Jun. 6th of October Mid-Autumn Day

some old Chinese Festivals are based on old Chinese Calendars and Lunar cycles like Western religion festivals


Jurassic World Rebirth




Disney and
Need something to keep China out of the animation Oscars?

Zootopia part 1 Budget $150 million Box office $1.025 billion


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Wednesday, May 21, 2025 2:49 PM

6IXSTRINGJACK


Please stop with the Jurassic Park movies. Please.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Wednesday, May 21, 2025 8:42 PM

6IXSTRINGJACK


Bruce's article for the weekend said this...

Quote:

Bloodlines’ opening is the third hit in a row for Warner Bros., following A Minecraft Movie and Sinners, and the studio now leads Disney by over $100 million in what is essentially a two-horse race (so far) for top-earning studio in 2025.


Well that's not the whole story now, is it Bruce?

First of all, we don't count previous year releases anywhere else, so we're going to take those off both lists. That means buh-bye right away to Moana 2 and Mufasa. This doesn't amount to much... Around $130 Million in 2025 profits for Disney on the tail-end of 2 movies that grossed over $1.7 Billion in 2024, but I'm not going to allow Bruce to add that in unless I'm also adding in the production budgets too. And as you'll see below, that $130 Million isn't helping Disney out of their 2025 mess anyhow...


Disney 2025 releases:

1 Captain America: Brave New World
2 Thunderbolts*
3 Disney’s Snow White

WB 2025 releases:

1 A Minecraft Movie
2 Sinners
3 Final Destination: Bloodlines
4 Mickey 17
5 Companion
6 The Alto Knights


Production budgets:

Disney:

1 Captain America: Brave New World - $180 Million
2 Thunderbolts* - $180 Million
3 Disney’s Snow White - $269.4 Millon

TOTAL Disney 2025 Release Budgets Combined: $629.4 Million

WB:

1 A Minecraft Movie - $150 Million
2 Sinners - $90 Million
3 Final Destination: Bloodlines - $50 Million
4 Mickey 17 - $118 Million
5 Companion - $10 Million
6 The Alto Knights - $45 Million

TOTAL WB 2025 Release Budget Combined: $463 Million


World Wide Gross per 2025 release:

Disney:

1 Captain America: Brave New World - $415 Million
2 Thunderbolts* - $330 Million
3 Disney’s Snow White - $204 Million

TOTAL Disney 2025 Worldwide Box Office: $949 Million

WB:

1 A Minecraft Movie - $931 Million
2 Sinners - $321 Million
3 Final Destination: Bloodlines - $117 Million
4 Mickey 17 - $127 Million
5 Companion - $37 Million
6 The Alto Knights - $10 Million

TOTAL WB 2025 Worldwide Box Office: $1.543 BILLION


What do we know so far...?

1. For WB, Minecraft alone has made almost as much as all 3 major 2025 Disney releases combined.

2. At $463 Million in combined budgets, WB needed $1.158 Billion to break even.

3. Currently, WB has grossed $1.543 Billion worldwide and is sitting on a 2025 profit of nearly $400 Million.

4. At $629.4 Million in combined production budgets, Disney needs $1.574 Billion in worldwide grosses to break even.

5. Currently, Disney has grossed $949 Million and is nearly $550 Million short of breaking even.

6. Out of all of the above movies still in theaters, WB has the only few that are still going to add anything significant to either of those totals.



Disney better hope that the Lilo and Stitch movie makes that $1 Billion dollar mark people are saying it will. It's going to need that just to pay for the other 3 flops and there won't be any profit.


There ain't no race here, Bruce. WB is almost $1 Billion ahead of Disney so far this year once you balance the other side of the ledger that you didn't even mention in your article.

Get your tongue out of Bob Iger's asshole.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Thursday, May 22, 2025 6:16 AM

JAYNEZTOWN


the scene has changed
now its Sonic, Mario, that Oppenheimer, Japan anime, new Godzillia, South Korea tv, the Chinese animation thing, Minecraft and Barbie

Tv/Streaming...when some must watch episode thing comes out....how much does Walking Dead, Simpsons or Boardwalk Empire or Yellow Stone or Superbowl or Grey’s Anatomy or Soccer the FIFA World Cup or the fight between Mike Tyson and Buster Douglas or Vampire Diaries or Dallas or Game of Thrones cost the box office?
...I know tv audiences are different
and sometimes tv might help a brand


but don't they also compete with each other?


since the days of HBO and other studios doing big product shows it was decided people might stay at home


Apple TV+ miniseries Hawaiians vs other Hawaiians




and instead of going to movies will they stay home and watch SKorea tv for example?

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Thursday, May 22, 2025 8:27 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


Quote:

Originally posted by 6ixStringJack:

Okay. I see you're not interested in an actual conversation.

That's not a mission.

That's just a future problem that nobody in the Democratic Party has ever offered any legitimate and cost-effective means of combating.

And it's one of the reasons that the Democratic Party is dead and they will never make a comeback. They can't lie about fixing the environment anymore either because nobody is buying it anymore when they say they will.

Everything your party relied on to win votes doesn't work anymore.


If you have something serious to propose, I'd suggest you write to your congressman and give them the ideas because your dead party can't come up with shit on their own.



--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

The “Final” Mission: Impossible Movie May Mark the End of More Than Just the Franchise

This old-fashioned blockbuster could be the last of its kind, whether or not you “choose to accept it.”

By Dana Stevens | May 22, 2025 5:40 AM

https://slate.com/culture/2025/05/mission-impossible-final-reckoning-t
om-cruise-movie-8-review.html


When the first Mission: Impossible movie was released in 1996, it had been 30 years since the espionage series by that name debuted on American television.

. . . the quaint old-Hollywood precept that when audiences keep returning to a series, it’s not for the brand name but for the star. It’s impossible to imagine this cheerfully ludicrous franchise holding together, to whatever extent it does, without Cruise at its center. His scary degree of commitment—the same quality that makes his off-screen persona so peculiar and at times off-putting—has become the most unifying through line of the M:I films. Is he, at long last, getting too old for this shit? That question is brought up by several characters over the course of The Final Reckoning . . .

Whatever the much-repeated words Tom Cruise does his own stunts mean exactly—and they often mean more than you might think—sequences like the biplane battle are testimonials to the power of analog filmmaking when it comes to engaging an audience in the stakes of a story. Cruise really is out there, clinging to the side of that plane as it swoops and dips over a non-green-screen landscape of cliffs and canyons. A real thing is happening in a real place; real risks have been taken, real craft and skill deployed, and a gobsmacking quantity of real money spent, in order to accomplish the oddly humble goal of entertaining an audience. If you’ve never seen a Mission: Impossible movie, Final Reckoning will not be the one to win you over to the franchise’s loopy appeal: It’s too long, too self-referential, too dependent on the viewer’s affection for characters who were better developed in earlier installments. But whether or not this one is really the last in the series (and in interviews, Cruise and McQuarrie have been equivocal on that subject), Final Reckoning is a noble exemplar of a dying breed: the big, dumb, fun action blockbuster with a bona fide movie star at its center, putting it all on the line—and hanging on for dear life—just to keep us at the edge of our theater seats.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Thursday, May 22, 2025 5:50 PM

6IXSTRINGJACK


They forgot to mention, of course, that this one is going to end Paramount.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Friday, May 23, 2025 4:08 PM

6IXSTRINGJACK


Uggh... I forgot the Lilo and Stitch movie is going to be another live action remake.

That's going to make a Billion?

Do better people. Don't pay for that.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Friday, May 23, 2025 5:54 PM

6IXSTRINGJACK


Why We're Stuck In An Endless Hell of Live Action Remakes

https://www.decodingeverything.com/p/brief-history-of-live-action-rema
kes-dragons-lion-king-beauty-and-the-beast



The answer is you.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Saturday, May 24, 2025 5:12 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


The quality of movies did not cause reduced ticket sales.

The real cause? Roku is slowly murdering the habit of attending movie theaters

05-22-2025

Roku is still riding the streaming wave. The company ended 2024 with 89.8 million streaming households, an increase of 9.8 million year over year. In the first quarter of 2025, it streamed 35.8 billion hours of video, up 5.1 billion year over year—and more than 10 times what it was doing per quarter when it went public in 2017.

https://www.fastcompany.com/91324863/roku-anthony-wood-2025

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Saturday, May 24, 2025 5:51 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two


You were warned to stay away from screens, both movie and TV:

The Incredibles 2’s Screenslaver: the most controversial film villain ever?

The evils of screens and high-tech mind control are fought off in Pixar’s latest. But the rest of cinema doesn’t want to know

By Steve Rose | Mon 2 Jul 2018

https://www.theguardian.com/film/2018/jul/02/the-incredibles-2s-screen
slaver-the-most-controversial-film-villain-ever


The Incredibles were pretty much the only superheroes in town when they arrived in 2004, but so much has happened since – such as Marvel taking over the box office – they are in danger of being left behind and crowded out on their return. But, actually, The Incredibles 2 takes one audacious move that makes the entire superhero genre look old-fashioned.

The villain of the piece is a mysterious entity known as the Screenslaver, who hypnotises people and controls their minds through TV screens. In a monologue, the Screenslaver rails against the very passivity Incredibles 2 is catering to: “Superheroes are part of your brainless desire to replace true experience with simulation … Every meaningful experience must be packaged and delivered to you to watch at a distance so that you can remain ever sheltered, ever ravenous consumers.” Whoa there! This is a dangerously valid point. Quick! Get to a fight scene!

Quite understandably, the evils of screened entertainment are somewhere that screened entertainment itself rarely wants to go. It’s a blind spot, and for the sake of its survival, it needs to be ours, too. You might occasionally get a media-mogul Bond villain like Jonathan Pryce in Tomorrow Never Dies. At best you’ll get a dystopian reality show such as The Running Man or The Truman Show. Or maybe an inane TV show-within-the-show, as with The Lego Movie’s Honey, Where Are My Pants? or Idiocracy’s Ow My Balls! to be lapped up by a subdued populace. More explicit warnings against the screen are usually confined to horror: the spirits who enter through TV white noise in Poltergeist; the demonic video cassette of Ring; or A Clockwork Orange’s eyelid-clamping Ludovico Technique.

Going further than any of those was David Cronenberg’s Videodrome (1983). Cronenberg, a former student of Marshall McLuhan, lays out a landscape of race-to-the-bottom ratings chasing; mass media literally warping perceptions of reality; and, behind it all, a conspiracy to brainwash audiences with a TV-transmitted virus that’s not far off the Incredibles’ Screenslaver.

“The battle for the mind of North America will be fought in the video arena,” says Videodrome’s media messiah Brian O’Blivion. If that is the case, we haven’t caught up. Time and again our screen heroes confront evil on a physical battlefield, with weaponry and superpowers. Even The Incredibles 2 resolves its media crisis with an action climax. But, in the present world, our threats are increasingly immaterial: fake news, social media propaganda, trolls, hacking, viruses and a US president whose worldview is shaped by Fox News – his own Screenslaver.

If weapons are really useless against this, don’t expect the movies to break it to you.

The Incredibles 2 is in UK cinemas on 13 July

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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